Monday, June 23, 2008

Hands in the Dark






We are taking a walk in the forest at night, you and I. It is winter, and the night is not so dark because the moonlight is reflecting off of the ample snow onto the trees around us. We are talking about the past and smiling and laughing at the foolish things we have done. Sometimes the conversation turns serious and we talk about the things that we have left behind, the bad and the good, but we are always lighthearted in our nostalgia, comfortable in the life we have found ourselves in. We stop walking briefly to look at our surroundings. We gaze out at the midnight world, and watch our breath disappear silently into the cold air before we notice that we are surrounded by wolves. What is more awful than their shining eyes in the darkness, reflecting the same light that made the snow so beautiful, is that these wolves do not make any sound. Their paws make no sound as they alight on the snow, there is no growling that comes from their sharp, hanging mouths. The only sound is the thud of blood, arrived maddeningly to our faces.


So, there this moment right? Right before you see the wolves' eyes in the darkness, before you realize you're surrounded. Before you know that something is wrong, there's a moment when the world starts to feel dangerous. It borders on precognition, because it happens before you actually realize that everything isn't okay, but it's not. It's this strong feeling of danger right before you realize that you are fucked. This feeling however, is not unpleasant. It's like being touched unexpectedly by someone who you wanted to touch you. Any gratification that's coming from this feeling is coming because you know that it's not safe. This is what Bersarin Quartett's music sounds like.

German Thomas B's one man project has been tagged as ambient and experimental, and although it's maybe both of those things, they don't say anything about the mood of the music on Bersarin Quartett's self-titled album. The mood is driving around the outskirts of old cities at night. The mood is trees along the path that look like men standing still in the darkness. The mood is that excellent, freaky cover art up there. What does that little girl see? There is some kind of velvet fear in the darkness. It brushes up against you and it feels like a dream, until it doesn't.






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